Copyright

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AI Art and Copyright Infringement | The Lowdown

It has been said that it is impossible to come up with a truly original idea in the arts, and that may be true. Many of the greatest works are riffs or adaptations of art that has come before. The difference lies in how much originality the second artist brings to their new work. Does the art contain a stylistic difference or new point of view? Or is it simply a “rip-off”?

October 10, 2025

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“Let’s get crazy” with DMCA takedown notices

On February 7, 2007, a young Pennsylvania woman named Stephanie Lenz uploaded to YouTube a video of her two adorable children dancing to the Prince song “Let’s Go Crazy.” She titled the 29-second long video “Let’s Get Crazy #1,” and then (probably) went about the rest of her day.

September 22, 2015

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European Artists’ Rights Org Goes After SoundCloud for Copyright Abuse

Previously on this blog, we wrote about the current battles between the copyright holders of recorded works (you know these works as “music”) and certain scofflaw streaming services that seem to operate based on a policy of denying artists any share in the profit created from streaming their music.

September 08, 2015

Two people sign a contract

Pixels Movie DMCA Takedown Leaves Trail of Innocent Videos in Its Wake

Pixels is a new Adam Sandler “movie” that you almost certainly should not see. (Sample review snippet: “Pixels, it is clear even from afar, is the sort of vanity project that represents everything that is wrong with Hollywood.”)

August 25, 2015

An office room

Soundexchange and the Ongoing, Hard-fought Battle to Pay Performers for Their Master Royalties

Let’s acknowledge this right off the top: we live in an age where a large contingent of the population has internalized the idea that music, songs, albums, etc., are fully “free.” Nobody likes to side with, say, the RIAA, while they’re filing lawsuits against 12 year olds with Limewire (or its more current equivalent).

July 22, 2015

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